A Man Sat On The Unused Track Staring At The Salt Pans And Contemplating His Life.

Kieran liked to sit on the unused iron rail. He'd been staying in the building opposite the track even before engineers surveyed the site. He was there when labourers worked through the unsheltered heat and the blackness of the night to lay the track and as trains passed by on the two working tracks beside it, even though none of them made their way over to this loner. He wondered why.

Once upon a time, the land opposite the building, on the other side of the tracks, was full of salt pans. Now, they were all gone. He had heard that buildings were going to rise, seven or more storeys tall, singing out to the skies above. Roads, grey as the monsoon skies, were to be built. The West would finally be populated. But on marshy land, how?

Every morning between seven and eight when the sun was behind his back and not yet strong enough, he sat on the unused rail track pondering things he had never thought of earlier while standing on his balcony.

It was one such day. The 745 Churchgate had just passed him by. He'd leave in twelve minutes. A group of boys passed him by, wanting to play a game of cricket on the hardened land. One of the boys--his name was Roy, though Kieran would never learn of it--stood over him.

"Why do you sit here every day? Come, play with us."

"No, I'm not interested in playing. Why don't you sit with me?" he countered.

Roy thought for a second and sat beside him. The boys hollered at him, but Roy just waved at them. Another train passed behind, the 748 Virar.

"I stay two buildings next to yours. I see you every day here."

"Yes, I like this spot. It's peaceful."

"What if a train stands at this place one day? Where will you go?"

"I doubt this track will remain stranded forever, but I'll decide when that happens; trains have never made their way to this track so far."

"Oh, I never knew that. Why do you think they made this track then?"

"God knows."

Roy remained silent.

"Do you know why you were born?" Kieran spoke again.

"No."

"Good. Because I don't know either the reason I was born. We can't explain our own purpose. What can we know about this track?"

Roy just nodded in agreement. The cricket looked inviting now.

Another train whizzed past, the 749 Churchgate.

Kieran spoke again, "I like sitting here. There's noise, there's quiet. It's maddening and peaceful at the same time. How many places like that do you know?"

"None."

"Well, you know one now."

Kieran looked towards the boys hitting the ball hard, playing towards the tracks.

"Aren't you concerned that one of you could come under a train while fetching the ball from the tracks?"

"Yes, but what else can we do anyway? There's nowhere else we can play."

The 753 Virar passed by.

"I'll leave in five. Then you can go play with your friends."

"Oh. I was enjoying this. What time do you come here? I'll come earlier tomorrow."

"I'm here at seven. But I don't think you'll see me here again."

"Why not?"

"I enjoyed the solitude."

"Oh. I'm sorry, I didn't know I disturbed you."

"No, no. It isn't your fault. You're curious and it's a good thing to be."

Kieran looked back.

"That's the 757 Churchgate. I'll take your leave now." Kieran stood up.

"You know what I liked most about this place? The unrestricted view. And it'll all be gone one day. Goodbye!"

Roy looked on as Kieran waited till the 757 passed by on track two. He turned around to look at the stark land in front of him. He then heard ghastly screams. The boys stopped playing and the ball went, as it was left unprotected, to the square leg boundary. Roy turned around. The 758 Virar had hit Kieran.

The next day, at seven, Roy walked past the tracks, carefully looking both sides before crossing, eager to sit at the same spot as Kieran. It was no longer unused though as a tired train had finally found its resting home there.

Hairfall (Skyfall Parody)

Hairfall

Co-written by Jahan Singh Bakshi and Runcil Rebello.

(To be sung to the tune of Adele's Skyfall)

Verse 1:

This is your hair,
close your eyes and shampoo 'em,
feel your hand through your hair,
see your hair glow again.

Your shampoo sucks,

your hair is lost and stolen,

so overdue you owe self,

a shampoo brand new.

Chorus:

If your hair falls,

and it rumples...

we will shampoo

and wash it all

together.

If your hair falls,

and it rumples...

We will shampoo

and wash it all together...

This hair fall.

That hair fall.

Adele's Hair: Shiny and Silky due to our Shampoo's Charm

Verse 2:

Hair fall is where we start,

the dandruff and lice apart,

where black meets white

and hair is dry.

You may have my conditioner,

you can tame that mane,

but you'll never have my shine.

Chorus:

If your hair falls, (if your hair falls)

and it rumples (and it rumples)...

We will shampoo (we will shampoo)

and wash it all together

If your hair falls, (if your hair falls)

and it rumples (and it rumples)...

We will shampoo (we will shampoo)

and wash it all together...

This hair fall.

Bridge:

No more hair fall,

use our shampoo,

give us a call.

Verse 3:

When you call, we receive.

What you care for, we do.

We know you'd never laugh.

Without our security.

Keeping you from harm.

Is our shampoo's charm.

In your hand,

take our can,

and let it spray.

Our Shampoo comes in sachets that look like cool Bond Gadgets too.

Chorus:

If your hair falls, (if your hair falls)

and it rumples (and it rumples)...

We will shampoo (we will shampoo)

and wash it all together

If your hair falls,

(if your hair falls)

and it rumples (and it rumples)...

We will shampoo (we will shampoo)

and wash it all together...

This hair fall.

Outro:

No more hair fall,

use our shampoo.

No more hair fall.

Ohhh.

The Carnival

I was given five words by my friend Cheryl to incorporate in a story. Those five words were: shallow, burnt, forehead, butter and window. The story lies ahead.

I’ve used Konkani in the story. The spellings are highly dubious; the meanings aren’t.

Glossary:

Sussegado: contentment. (pronounced as sus-eh-gaadh)

Dhaar uktem kor: Open the door.

Soglem ekhuch gho: It’s all the same.

Yeh ghe poishem yeh moinyechem: Take this month’s money.

Borem haan: It’s good.

Konkani shikla chhedu: The girl has learnt Konkani.

Chhedo borom haan: The boy is good.

Deo borem kor: Literally means God Bless You. But is used in various instances like wishing someone good night or thanking someone.

Mami: Mom’s sister.

A deep cut would have been better. Even a burnt finger wouldn’t have hurt as much. Staying alive was one thing; staying alone another. Claire was bored. And alone. And she knew not what to do. She’d tried reading the Stephen King and Murakami that she had beside her bed. Hernan had sent a few CDs over with the newest movies, but she had watched just one from it. Midnight in Paris. For a day or two, she too wanted to return to the past. To the city of Bombay where she had a few friends.

“Goa is fine for me when it’s a holiday. I can’t dream of staying there. Maybe when I’m old; after I retire. When I want to be lazy, when I’m content with life. Sussegado. Not now; it’s too soon,” Hernan had said, sitting with Claire at Marine Drive, the evening before she was to leave for Mapusa.

“You’re scaring me, Hernan.”

“Oh! Don’t be. Who knows, you may like it. Solitude is plenty there. That’s what you want, right?”

Loneliness was what she was experiencing now. She looked out of her first floor window towards the bus station. A horde of travellers were entering Goa; most dressed in the floral shirts and Goa-print tees that she had come to know Goans hated. It was 9 am and Carnival time. She’d go to watch the one at Panjim that evening. But she had nothing to do for the rest of the day.

The sun was beating down on her forehead. It was still not hot, not the sweltering heat Mapusa experienced later during March. Her short hair would keep her from sweating. She had been to the beaches so often since she’d landed in Goa that she had tanned herself. She was dreading travelling in the summers, but it was still February now, so it was fine. She slept with a bedsheet every night. She tossed about and by the morning the bedsheet was lying at the bottom of the bed. She woke up slightly later than usual. Establishments were by and large shut down in Goa for four days due to the Carnival.

“They just need an excuse,” Claire had told Hernan over the phone the night before.

“Man, what I’d not give to be in your place! Work here is killing me.”

“You’re the one who wanted it, Hernan. Don’t cry.”

“I’m not crying!” Hernan screamed. “I’m just saying.”

“Just saying, my foot! Have you had dinner?”

“We ordered butter chicken. Looks like I might have to stay till one or two tonight.”

“You should start looking out, you know.”

“I am. I am. You should too.”

Claire looked at her calendar. It was the 15^th. The landlady would come anytime now. It was already past nine. She went about clearing her dishes when she heard a knock on the door.

“Clara!” the matron hollered. “Dhaar uktem kor.”

“Coming.” Claire shouted and ran to open the door. “Aunty Marie, my name is Claire. How many times should I tell you?”

“Claire, Clara, soglem ekhuch gho,” Aunty Marie said. She was the typical Goan aunty Hernan had told her about. Sweet, short hair, and wore a dress. Her English was passable, but she was fluent in Konkani. Claire had heard the 45 year old sing at the morning mass on Sundays too. She liked her.

“Yeh ghe poishem yeh moinyechem,” Claire said. She had learnt a little Konkani in the past ten months.

“Borem haan. Konkani shikla chhedu,” Aunty Marie said counting the money. “Going for Carnival?”

“Yes aunty.”

“You going with any friend?”

“No aunty. I am alone. I’ll be going by myself.”

“Borem. See, my nephew is come from Bombay. He wants to go for Carnival but no one at home free today. Can you take along?”

“Your nephew?” Claire hesitated. She would have preferred company, but she did not know the nephew.

“Don’t be scared, Clara. Chhedo borom haan. You want to meet?” Aunty Marie asked politely.

“Be careful of these Goan aunties. We could be very good matchmakers if we wanted to, you know,” Hernan had said the first time Claire told him about Aunty Marie.

“Come on ya, you tend to generalise everything,” Claire rebuked him.

“If I don’t generalise my own people, who will?” Hernan asked innocently over the phone.

“I’ll give you his phone number, Clara. You speak to him when he comes back, okay? He’s gone to the market. Here, take his number. Five…” Aunty Marie started after seeing Claire’s phone in her hand.

Claire saved his number to realise that she did not know his name. She cried out to Aunty Marie, “What is your nephew’s name, aunty?”

“Savio, Clara. Savio D’souza.”

“Savio,” Claire entered his name. “Deo borem kor, aunty.”

“Deo borem kor.”

Claire shut the door and wondered what to do. Should she call him or just go alone? She did not even know the guy: how he looked, who he was. Nothing. She decided to log onto Facebook to see if she could come up with something.

She logged onto the social networking site that had been her lifeline for the past few months. She typed Savio D’souza in the search box only to come to face with at least fifty results. Savio D’souza was a very common Goan name.

“Savio, Joseph, Francis, Peter, Paul, you’ll find one at every street corner and sausage shop in Goa,” Hernan told her that evening at the Drive.

“Why is your name so different then? Hernan.”

“Ask my mother; don’t ask me. She found this in a book she was reading,” Hernan said as he threw a stone into the water. “Thought it went well with our surname.”

“Hernan Heredia. Hmm.” The sun had set and the Drive’s streetlights had taken over.

“Hello!” said a deep voice on the other side.

“Hello,” Claire said softly.

“Hello, who is this? Can you speak louder?”

“Hello, hello!” Claire spoke in a slightly louder voice which was still shaky. “Is this Savio? I’m Claire speaking.”

“Who Claire?” Savio said in a highly suspicious tone.

“You won’t know me. Your aunty Marie gave me your phone number. She told me that you wanted to go to the Carnival today and since I was going alone, she asked me to take you.”

“WHAT!” Savio screamed on the other line.

“Yes. Really, Hernan.” Claire told him as he just stood outside her door looking at her. He hugged Claire tightly, something she would come to miss over the next few months.

“Mapusa. Why are you going away ya?” Hernan asked. Claire could not make out if he was happy or displeased.

“I want to. Twenty six years in the same city. I need to see other places too.”

“Oh well, I can’t argue with that.” Hernan said, avoiding Claire’s eyes.

“Of course you can’t argue with her Savio!” Claire said to the 23 year old seated on her couch.

“But how could she just do this without telling me?” Savio sat with his head hung low, not able to meet Claire’s eyes.

“Savio, it would seem as if you think I’m some mean person. The interest you are not showing makes me think I’m worthless,” Claire said, constructing her sentence carefully.

“Oh,” Savio looked at Claire. “Nothing like that, Claire. Nothing like that. You seem like a wonderful person. Just that I would have preferred that Mami had told me first.”

“So what do you want to do now? Claire asked, still weighing every word she uttered.

* * * * *

Claire splashed some water on Savio as he was coming into the water. Bagha was crowded for a weekday but then she reminded herself that it was the Carnival.

“So how many more days, Savio?” Claire asked while Savio threw some water on her.

“A week more, and I’m back to Bombay,” Savio said as he stood still looking at the people enjoying themselves around him.

“So you still think you shouldn’t have come to the Carnival with me the other day?”

“Actually I told myself I’d go when you told me on the phone itself. It all depended on how beautiful you were though,” he said nonchalantly. “I’m quite shallow that way.”

Claire looked at him and then both burst out laughing.

“I’ll come to Bombay to meet you,” Claire said.

“Or maybe I’ll come to Mapusa to meet you.” Hernan said.

“You won’t forget me, will you?” Claire asked.

“Are you crazy?” Savio shouted, and hugged Claire.

They continued walking on the seabed. There was still some time for the sun to set. Claire’s foot tripped over a log in the water.

“Does it hurt?” Savio asked.

“No, not as much as I was hurting a few days ago.”

“That’s pleasing to hear,” Hernan said softly, when he called her that night.

“What happened?” Savio repeated.

“Nothing,” she smiled.

Hernan smiled too. Claire turned around to walk inside the airport. She waved to her parents and younger brother. But mostly to Hernan.

“I love you,” she mouthed.

“I love you too.” Savio said as they wrote their names on the Bagha sand.

The Carnival had begun in Mapusa.

In The Dark, They Love.

They find comfort in the darkness;
youngsters raise their arms.
They love freely without the prying eyes of voyeurs.
They love freely with the prying eyes of voyeurs.

They follow the trail of their passion
as Eros leads them on.
Eros and Erebus smile, happy.
The lovers, fearless, as they embrace

the uncertainties around them.
These blithe silhouettes dance into the night.

Bittersweet Home

So I wrote these few lines with some semblance of a rhythm. It's about Bombay and how bittersweet it is to the people here. Anyone sweet enough to put a tune to it?

Bittersweet Home

Verse 1

Sitting in the sunset’s light,
screaming for some closure.
The waves come and pass me by
the darkness is my torture.
They say life moves too fast over here
This is the city that never sleeps.
But how can they just pass me by?
Not paying attention to the girl that weeps.

Chorus

She asks too much of you.
She takes as much as she gives you.
She nurses you all night,
and then spits you out, all pale and trite.
She loves you just as much as you love her.
Like a silhouette, I can never trust her.
I love her so, oh my Lord!
The Drive, trains, beaches and tetrapods.

Verse 2

I travel in the train at night,
I’m losing my composure.
The breeze whips my hair
Telling me it’s all over.
I’ve seen stories born and die each day here.
This city ain’t for the meek.
Was I just another face in the crowd
or swallowed for her keep?

forget. visit. enjoy. love. write.

four water signs
could-be-classmates
the broken glass
dylan

soapy water
strawberry
maathe
geri

bees' knees
opinhal
kings beer black label
johnny

carnival
old monk neat
port wine number seven
paolo

probaashi
patrao
walk to madhrem
shiva

flower girls
you're so cute
bent trees
shubir

gujjus at bagha
a museum robbed
a rebelo ancestor
st. francis xavier

eighteen june road
tea market
watering hole
ram manohar lohiya

sweet water lake
sausages
sorted-out-worries
sufjan stevens

sreyashi
proshant
shubhra
runcil

sun
sand
sussegado
goa

Displaced

Born and brought up in Bombay, I've rarely travelled out of this island city. By the time I turned twenty, I'd been to Goa twice; once when I was four years old and the second time when I was ten. I'd been to a few places within Maharashtra as part of school or college trips but those were one day outings spent in the confines of the resort we went to.

Any other town, city or country was pictured in my mind according to the descriptions in books, how it was visualised in films or how it played out in stories told to me by people who were lucky enough to have visited these places.

Thus I had built in my mind certain images of places. Everyone does it, right? For me, Delhi was the political hub. So people would be in safari suits, travel in Ambassadors. I remember Nestle was situated near Connaught Circus. I used to think it was an actual circus with trapeze artists and animals but topped with the essence of coffee and the gooeyness of noodles.

Pune was Poona; I knew the British called it that and they used to go there for their holidays. So I always thought Poona was full of Brit-era bungalows. I somehow also knew it was colder there.

That's the thing if you don't travel much; you have a certain picture of places in your head. We thrive on our imagination and if we come to know a certain place's actuality is different from what we thought it would be, we're disappointed, even living in denial to some extent. People like me, after all, who do not get the chance to travel much have to live it through other means.

Since I've turned twenty, I've travelled quite a bit. I've been to Goa, eleven years after the previous visit (and I'm a Goan. Beat that!) I've been to Lonavala and Nasik. I've been to Pune too. I couldn't situate any of the British bungalows, but I was right about the cold. Also found Pune to be similar to Bombay. MG Road was like South Bombay. Fergusson College seemed as if it was built alongside Xavier's, Wilson and Elphinstone. Pune even had Irani restaurants!

I've yet not been to Delhi though. But when I do, I hope I find the circus with the trapeze artists and animals with the aroma of Nescafe and the slippery Maggi sauntering around it.

Or the child in me will be disappointed that he did not imagine well enough.

Answers Are Never Easy To Come By

“Why do people hate you?” he asked her.

“Why do people love you?” she asked him.

There was no answer either way. They decided to let this question rest till time offered them an answer that would leave them satiated. Time was a better master than most people were. A healer unlike any other.

They spent their time writing, searching for answers in what they wrote.

Answers were never easy to come by, but that never stopped them from asking.

Bad Poetry

And when we talk to each other after so long,
I feel inspired to write a few words about you,
about the time we shared with each other.
And all I can write is bad poetry.

I have no sense of rhyme or rhythm,
pass my judgment through a prism
of trust, of love, and yet they produce no words.

All I write is bad poetry.
All I hum is bad poetry.

I strum all day this guitar,
two chords played all along
and I’m not able to come up with anything better.

Then you read my poems,
and you like them all.
You consider it good poetry
and I know you do like it
but I can write better.

So I’ll sit down with the guitar once again,
till I write something worthy of you.
Till I write better poetry.

Christmas Carols - Death Metal covers (No, really!)

So since I have nothing else to do, presenting to you the gory, violent, death metal cover versions of (in)famous Christmas Carols. (For those who haven't heard the originals, the links are provided.) Enjoy. NOT!

Rudolph The Killer Reindeer (based on Rudolph The Red-Nosed Reindeer)

Intro:

You know Loch Ness, and Yeti, and Jack and Zodiac,

You know all these killers, scary and their like.

But do you recall the most dangerous of all?

Chorus:

Rudolph the killer reindeer,

had a very bloody knife.

And if you ever saw it,

you would say he killed his wife.

All of the other reindeer

used to call him ‘You-Know-Who’.

They never let cruel Rudolph

crack his head up into two.

Verse 1:

Then one gloomy Halloween,

Santa came to say,

“Rudolph, with your knife so bright,

won’t you slit my throat tonight?”

Then all the reindeer feared him,

as he cut him open wide.

All of these other reindeer

then spent a sleepless night.

Verse 2:

Then one silent week later,

Dasher  went up to him.

“Rudolph, with my sword so light,

won’t you suffer a dreary fright?”

Then all the reindeer rejoiced,

as they shouted out in glee,

as Rudolph the red-mouthed reindeer,

was buried deep beneath the tree.

I Saw Mummy Killing Santa Claus (based on I Saw Mommy Kissing Santa Claus)

I saw mummy killing Santa Claus,

underneath the chili-limbu last night.

She didn’t see me creep,

her murder was very neat.

I was so shocked up in my head,

it took me some time to sleep.

Then, I heard mummy coming up the stairs,

and by that time, I hid under my bed.

She screamed; she went away.

Oh what a corpse I would have been,

had mummy found me in my bed last night.

A Merry Gory Christmas to you. (No, I'm not so evil in real-life.)

Folly Of The Fool

Rusted, it lay in a corner,
wounding those who dared run their hands over it,
a runaway symbol from another era,
of their tale, now deprived of air to breathe,
all thanks to the Fool for flooding his house with water.

The sun's rays form a crack in the door.
Oxidised, it survives.
The Fool will not drown again.

Shakespeare, Or Not Shakespeare, That Is The Question

With the film Anonymous coming out in the near future, which questions us whether Shakespeare wrote his plays (or was it the Earl of Oxford, or even Christopher Marlowe?), I came across this New York Times (Books) article on Twitter through @MatthiasRascher.

The article talks about Italian Romantic composer Verdi who successfully composed three operas: Macbeth, Otello and Falstaff out of Shakespeare's plays. It goes on to talk about drama in Shakespeare's time; how plays were written, how they were commissioned, so on and so forth, dispelling the theories that Shakespeare didn't write his plays, along the way.

The article written by Pulitzer-Prize winning author, historian and journalist Garry Wills can be found at this link: http://bit.ly/sBp9EM

Presented below are two paragraphs from the Shakespeare part:

Those who doubt that Shakespeare wrote Shakespeare are working, usually, from a false and modern premise. They are thinking of the modern playwright, a full-time literary fellow who writes a drama and then tries to find people who will put it on—an agent to shop it around, a producer to put up the money, a theater as its venue, a director, actors, designers of sets and costumes, musicians and dancers if the play calls for them, and so on. Sometimes a successful playwright sets up an arrangement with a particular company (Eugene O’Neill and the Province- town Players) or director (Tennessee Williams and Elia Kazan), but the process still begins with the writer creating his script, before elements are fitted around it, depending on things like which directors or actors are available for and desirous of doing the play. Producers complain that it is almost impossible to assemble the ideal cast for all the roles as the author envisioned them in his isolated act of creation. The modern writer owns the play by copyright and can publish it on his or her own, whether produced or not. None of these things was true of dramatic production in Shakespeare’s time.

Then, the process began with the actors. They chose the playwright, not vice versa. They owned the play, and could publish it or withhold it from publication. Each troupe had limited resources—often, nine to twelve adult actors (all male), and far fewer boy actors (sometimes as few as two). A Swiss traveler in 1599 saw “about fifteen” players handle the forty-five speaking parts in Julius Caesar.⁹An aspiring playwright had to bring his idea to these actors (or their representatives) with a plot accommodated to the number and talents of the particular troupe. The parts he was describing had to be so arranged as to allow for multiple doublings. A man playing two roles could not meet himself on stage, or even come back in as someone else too soon to allow for costume and other changes (a beard, wig, spectacles, padding, and so on). “For some thirty-five years from 1547–8 plays advertise, usually on the title-page, the number of actors required and how the parts may be doubled, trebled, and even septupled.”¹⁰ In a 1576 morality play, The Tide Tarrieth No Man, the Vice character is told to prolong his duel “while Wantonness maketh her ready” in the tiring-house to come back out as Greediness.¹¹ The plot had to be tailored for the company from the very outset.

Happy reading! 

The Drums And The Piano

I tried something new for the first time wherein I used famous song titles within a poem. The song titles belong to the following bands:

The Doors
Pink Floyd
Oasis
Radiohead
The Who
The Beatles
Led Zeppelin

The Drums And The Piano

They say Time and Money are all that people need to have,       
But My Generation would disagree.

They would never want to be Fake Plastic Trees,
As they travel  on the Crystal Ship to Kashmir,
they Twist And Shout
as they survive on Cigarettes And Alcohol.

But then the Wild Child said Whatever,
She brought out the Paperback Writer within her,
and decided to leave the Pinball Wizard, High And Dry.

Was it Communication Breakdown
or was she being Comfortably Numb?
No one knew. He just Let It Be.

He met her once again, at Moonlight Drive,
they were Riders On The Storm.
He said, “Hello, I Love You.”
She said, “People Are Strange.”
He said, “I’m A Boy.”
She said, “Break On Through (To The Other Side).”
He said, “Hey, Hey, What Can I Do?”
She said, “These Are My Twisted Words. I Wanna Hold Your Hand.”

He said, “Let There Be Love, D’yer Mak’er.
Songbird, Let There Be More Light.”

“Lyla,” she said.
“Baba O’Riley,” he said.

They set out to play Rock And Roll Music; the drums and piano;
Anyone Can Play Guitar.
Wishful Sinful he felt, Behind Blue Eyes, so lost.
He was now Coming Back To Life.
She was now a Jigsaw Falling Into Place.

On the Stairway To Heaven, they thought it was The End,
That is When The Tigers Broke Free;
Free As A Bird.
The Karma Police realised that Anyway, Anyhow, Anywhere,
They were going to Live Forever. 

I Just Had To Write...

There are times when you want to write. Write miserably, as if your life depended on it. Write or die. Write or perish. Writer’s Block, notwithstanding. It seems if you don’t write now, you are missing out on letting the world learn something for itself. It’s an urgent need that you can’t always address. What will I write on? Why do I have no ideas? What should I write? What if it just ends up like rubbish?

But then you calm yourself down. So what if it’s rubbish? Not the end of the world. Your job is to write, which you have. Now leave it. Go to your next piece. But don’t stop writing. For if the pen runs out of ink, aye, you’ll never be able to find yourself again.

Poems of Exaggerations, Writings of Solitude

The muse that she is,
she always inspires
to create an image, to write about her,
so that the world knows that beauty exists
not just in the eyes of the beholder.

Her beauty can be felt too.
The hair, she can’t make up her mind,
sometimes long,
sometimes short,
but they feel the need to grace everyone with its blessed presence.
Her eyes, brown as the fresh bark of the banyan tree,
ageless, look at you.
Melancholy resides within.

A hint of cynicism, coupled with a trust so scant,
she doesn’t remember when the last time was that she wrote
with all her heart.
Poems of exaggerations, writings of solitude,
all have been abandoned in favour of a life,
full of awareness.

She trips, and falls and trips again,
hallucinates, is hypnotised,
but recovers.
The sordid scribbles and dreamy doodles will return
to her.

Her crazy heart sings
like the canary outside her window,
every spring morning.

You Complete My Day

Intro:

I’m yours.
You’re mine.
You’re the best.
You make me better.

Verse 1:

Don’t you love it when everything is just fine!
Don’t you love it when the sun on you shine!
Skipping around in puddles of water,
Sipping with friends the rum and a quarter.

Care to see the flowers opening up to the day!
Care to see the people smiling on their way!
Flashing a big smile at everyone,
Kissing the rain as we just run.

Care to share your happiness with someone else!

Chorus:

Your joys to be shared,
laughter infectious.
no worries, no cares.
warmness contagious.
Happiness loves company
So do you and so do I.
At each other’s side we ourselves lay,
oh friend, you complete my day.

Verse 2:

Can’t you see the ladybug crawling away!
The crow that is satiated lets it stay.
Dancing around the water sprinkler,
singing a tease, a naughty winker.

Can’t you see the attention that you’re deriving!
Painting a picture beautiful no one can see.
Jumping on the green wet grass,
playing on the see saw’s mass.

Don’t you want to play into the night!